Cara Manes is Assistant Curator in the Department of Painting and Sculpture at The Museum of Modern Art, where she has worked since 2008. At MoMA she works extensively on the ongoing displays in the collection galleries and sculpture garden, as well as on temporary exhibitions and special installations. Most recently she organized The Long Run (2017, co-organized with Paulina Pobocha); Projects 104: Nástio Mosquito (2016) and Take an Object (2015). Alongside museum colleagues, she has contributed to numerous other exhibitions, including Teiji Furuhashi: Lovers (2016), From the Collection: 1960-1969 (2016), Ellsworth Kelly: The Chatham Series (2013), Artist's Choice: Trisha Donnelly (2012), Cy Twombly: Sculpture (2011), and Bauhaus 1919-1933: Workshops for Modernity (2009). Manes' writing has appeared in a variety of publications, including Being Modern (Fondation Louis Vuitton, 2017), Hans Arp and the United States (Stiftung Arp, 2016), and Films and Videos by Robert Morris (Museu de Arte Contemporânea de Serralves, 2011). She hold degrees from Wellesley College and The City University of New York.