Translated into English for the first time, this text by Latin American theorist Juan Acha was first presented at a conference at the Museo de Arte Moderno de Medellín in 1981 and later published as part of the conference proceedings. In it, Acha situates non-objetualismo, his theory concerning Latin American artistic production, as one of several postmodernisms. He applies this theory to art produced in Mexico, North America, Colombia, Peru, Argentina, and Brazil in the 1970s and 1980s.
Show MoreTranslated into English for the first time, this text by Latin American theorist Juan Acha was first presented at a conference at the Museo de Arte Moderno de Medellín in 1981 and later published as part of the conference proceedings. In it, Acha situates non-objetualismo, his theory concerning Latin American artistic production, as one of several postmodernisms. He applies this theory to art produced in Mexico, North America, Colombia, Peru, Argentina, and Brazil in the 1970s and 1980s.
Lea el texto original en español aquí. Read it in the original Spanish here.
The aim of this text is to analyze non-objectualisms in the framework of two concentric artistic realities: those of Latin America and the world. These two analyses will allow us to derive the foundations to, firstly, determine the postmodernist nature of non-objectualisms (which interest us, and which are the...
Read the English translation here. Lea la traducción al inglés aquí.
Aquí nos proponemos analizar los no-objetualismos dentro de dos realidades artísticas concéntricas: la mundial y la latinoamericana. De ambos análisis extraeremos las bases para, primero, definir la naturaleza posmodernista de los no-objetualismos, que nos interesan y que son los más radicales, y para después delinear sus...
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