Performative Gestures and Limits of Resistance in Armenian Contemporary Art (1987–2008), Part III
The Fragile Body and the Damaged Subject: A Decade of Crisis and Resistance (1998–2008) If in the early to mid-1990s, performative actions in Armenia were, to a large extent, launched by situational or strategic collectives and groups as interventions—as correctives to institutional operations of the state and the artworld—and motivated by the desire to communicate…