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Performing Identities: Self-fashioning in Visual Culture and Architecture

Branislav Jakovljević, Claire Tancons, and Anoma Pieris consider how concepts related to self-representation and performativity not only generate sites of resistance, but also recast our perspective on established discourses of the national, ethnic, diasporic, and racial. Organized by C-MAP Fellows Meghan Forbes (for Central and Eastern Europe), Iberia Pérez (for Latin America and the Caribbean), and Prajna Desai (for Asia), this seminar in summer 2018 sought to engage such questions as: What are some of the modes by which specific collectives perform resistance to national narratives? How are artistic and spatial practices employed to perform countermodes of identity, citizenship, or belonging (to a community, diaspora, nation)? What are the challenges faced by self-fashioning practices within architectural histories? How are tensions between local art histories and national narratives interpreted through acts of resistance? Given the relevance of diasporic narratives and aesthetics in times of increasing global displacement and inequality, how can these frameworks be mobilized at our historical juncture?

Author

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Branislav Jakovljević

Associate Professor and Chair of Theater and Performance Studies University of Stanford Branislav Jakovljević’s book Alienation Effects: Performance and Self-Management in Yugoslavia 1945-1991 (University of Michigan Press 2016), was the winner of ATHE... Read more »
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Anoma Pieris

Associate Professor in Architecture, Building, and Planning University of Melbourne Anoma Pieris’s specialist focus in postcolonial and subaltern studies methods are applied to the architecture of South and Southeast Asia; more specifically to Sri Lanka... Read more »
Ct bw sm nicola bustreo 2013 edited

Claire Tancons

Curator and Art Historian Claire Tancons is a curator and scholar invested in the discourse and practice of the postcolonial politics of production and exhibition. For the last decade, Tancons has... Read more »
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Performing Identities: Self-fashioning in Visual Culture and Architecture

Branislav Jakovljević, Claire Tancons, and Anoma Pieris consider how concepts related to self-representation and performativity not only generate sites of resistance, but also recast our perspective on established discourses of the national, ethnic, diasporic, and racial. Organized by C-MAP Fellows Meghan Forbes (for Central and Eastern Europe), Iberia Pérez (for Latin America and the Caribbean), and Prajna Desai (for Asia), this seminar in summer 2018 sought to engage such questions as: What are some of the modes by which specific collectives perform resistance to national narratives? How are artistic and spatial practices employed to perform countermodes of identity, citizenship, or belonging (to a community, diaspora, nation)? What are the challenges faced by self-fashioning practices within architectural histories? How are tensions between local art histories and national narratives interpreted through acts of resistance? Given the relevance of diasporic narratives and aesthetics in times of increasing global displacement and inequality, how can these frameworks be mobilized...

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Branislav Jakovljević, Claire Tancons, and Anoma Pieris consider how concepts related to self-representation and performativity not only generate sites of resistance, but also recast our perspective on established discourses of the national, ethnic, diasporic, and racial. Organized by C-MAP Fellows Meghan Forbes (for Central and Eastern Europe), Iberia Pérez (for Latin America and the Caribbean), and Prajna Desai (for Asia), this seminar in summer 2018 sought to engage such questions as: What are some of the modes by which specific collectives perform resistance to national narratives? How are artistic and spatial practices employed to perform countermodes of identity, citizenship, or belonging (to a community, diaspora, nation)? What are the challenges faced by self-fashioning practices within architectural histories? How are tensions between local art histories and national narratives interpreted through acts of resistance? Given the relevance of diasporic narratives and aesthetics in times of increasing global displacement and inequality, how can these frameworks be mobilized at our historical juncture?

Performing Identities: Part I Branislav Jakovljević

Performing Identities: Part II Claire Tancons

Performing Identities: Part III Anoma Pieris

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