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Untitled 11

Rachel Weiss

post Contributor

Writer educator, and lapsed curator, currently Professor of Arts Administration and Policy at the School of the Art Institute of Chicago.

Weiss has published extensively on contemporary art in journals, magazines and newspapers in the US, Europe, Latin America, Asia and Australia. Major publications include Making Art Global: The Third Havana Biennial (Afterall Books), To and From Utopia in the New Cuban Art (University of Minnesota Press), Por América: la obra de Juan Francisco Elso (Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas: co-author and editor) and On Art, Artists, Latin America and Other Utopias by Luis Camnitzer (University of Texas Press: editor).

Major curatorial projects include Global Conceptualism 1950s-1980s: Points of Origin (Queens Museum of Art, NYC: co-director with Luis Camnitzer and Jane Farver), Ante América (Biblioteca Luis Ángel Arango, Bogotá, and traveled in South, North and Central America: co-curator, with Gerardo Mosquera and Carolina Ponce de León), The Nearest Edge of the World: Art and Cuba Now (traveled throughout the US: co-curator with Gerardo Mosquera) and Imagining Antarctica (traveled throughout the US: funded by the National Science Foundation).

As the founding faculty member of the Arts Administration and Policy department at the School of the Art Institute of Chicago she has developed interdisciplinary curriculum that focuses on culture, policy, institutions, and their practices.

Guest teaching has included appointments at Goldsmith’s College, Creative Curating Program and the Royal College of Art, Program in Visual Arts Administration: Curating and Commissioning Contemporary Art, both in London; Curtin University, Department of Art in Perth, Western Australia and the China National Academy of Fine Art, Department of Art History in Hangzhou.