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Luis Pérez-Oramas in Conversation with Natalia Babarovic

Luis Pérez-Oramas, the Estrellita Brodsky Curator of Latin American Art at MoMA, talks with artist Natalia Babarovic about the meaning of painting and its ominous and constant 'returning.' Barbarovic also commented on the peculiarities of being a painter in Chile, both in contemporary times and during the years of the dictatorship, and spoke about what she thinks is at the core of her practice: the painting of the thickness of distance.

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Natalia Babarovic

Artist Natalia Babarovic was born in Santiago, Chile in 1966. She studied art at the University of Chile, where she also worked from 1991 to 2006, first as an assistant and later... Read more »
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Luis Pérez-Oramas

Luis Pérez-Oramas is the Estrellita Brodsky Curator of Latin American Art for the Department of Drawings and Prints. He received his PhD in Art History from the Ecole des... Read more »
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Luis Pérez-Oramas in Conversation with Natalia Babarovic

Luis Pérez-Oramas, the Estrellita Brodsky Curator of Latin American Art at MoMA, talks with artist Natalia Babarovic about the meaning of painting and its ominous and constant 'returning.' Barbarovic also commented on the peculiarities of being a painter in Chile, both in contemporary times and during the years of the dictatorship, and spoke about what she thinks is at the core of her practice: the painting of the thickness of distance.

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Luis Pérez-Oramas, the Estrellita Brodsky Curator of Latin American Art at MoMA, talks with artist Natalia Babarovic about the meaning of painting and its ominous and constant 'returning.' Barbarovic also commented on the peculiarities of being a painter in Chile, both in contemporary times and during the years of the dictatorship, and spoke about what she thinks is at the core of her practice: the painting of the thickness of distance.

Luis Pérez-Oramas in conversation with Natalia Babarovic

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Luis Pérez-Oramas in Conversation with Natalia Babarovic

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